White Collar Fictions
Class and Social Representation in American Literature, 1885–1925

Christopher P. Wilson

Reviews

“An exemplary work of ‘new’ literary history that is certain to be welcomed both by scholars of American literature and by those concerned with reimagining the interdisciplinarity of American Studies.”
—John W. Crowley

“[A] splendid exploration of turn-of-the-century literary treatments of and by ‘the new middle classes.’”
—American Literary Scholarship


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Description
At the turn of the twentieth century, representations of “white collar” Americans—the “middle” social strata H. L. Mencken ridiculed as boobus Americanus—took on an ever-greater prominence within American literature and popular culture. Magazines like the Saturday Evening Post idolized businessmen and “average Americans,” while books like Winesburg, Ohio and Babbitt produced new portraits of “middle America.” In White Collar Fictions, Christopher P. Wilson explores how these white collar representations became part and parcel of a new social class coming to terms with its own power, authority, and contradictions. By investigating the material experience and social vocabularies within white collar life itself, Wilson uncovers the ways in which writers helped create a new cultural vocabulary—“Babbittry,” the “little people,” the “Average American”—that served to redefine power, authority, and commonality in American society. An innovative study that integrates literary analysis with social history, White Collar Fictions reexamines the life and work of Sherwood Anderson, Sinclair Lewis, and such nearly forgotten authors as O. Henry, Edna Ferber, Robert Grant, and Elmer Rice.
Page count: 340 pp.
Trim size: 6 x 9
  

Paper
List price: $24.95
978-0-8203-3697-8
8/1/2010

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Christopher P. Wilson is professor of English at Boston College. He is the author of The Labor of Words: Literary Professionalism in the Progressive Era (Georgia), Cop Knowledge: Police Power and Cultural Narrative in 20th Century America, and Learning to Live with Crime: American Crime Narrative in the Neoconservative Turn.