Provocative, scholarly, original, and eminently readable, Uncle Tom Mania will become the standard work on the transatlantic reception and transmission of Uncle Tom's Cabin, traced through copycat novels, proslavery anti-Toms, dramatic adaptations, rewritings by Stowe and her contemporaries, minstrel Toms, and nineteenth-century debates on gender, class, and nation. Drawing on a wealth of fresh, primary materials, Meer makes a major contribution to the understanding of literary texts and their readers, popular culture, cultural history, and history per se.

—Judie Newman, Professor of American Studies, University of Nottingham

Meer's dense yet clearly argued study is a thoroughly researched tracing of the complex interplay between minstrelsy as a major influence on the construction of blackness in the nineteenth century and Uncle Tom’s Cabin. The strength of Meer's book lies most notably in the extraordinary range of primary materials she has mobilized in her dissection of the myriad shifting debates about slavery and race that were spawned on both sides of the Atlantic by Stowe's novel. This study enriches our sense of the complex phenomenon that was 'Tom Mania' and provides an enlightening portrait of the intense transatlantic cultural exchange between the United States and Great Britain at the time. Such exchange involved not just fiction, but theater, popular music, travelogues, political commentary, and autobiography; and Meer navigates all of these forms with insight, imagination, and a sensitivity both to historical specificity and to the integrity of each text.

—Richard Yarborough, Associate General Editor, Heath Anthology of American Literature

There are few works which move with such flair, wit, and ease between the American and British scene, so readily understand literary texts in their relationship to popular culture, and shed such light on racial attitudes in the nineteenth century.

—Michael O'Brien, author of Conjectures of Order

Victorianists reading Meer's book will find it immensely suggestive for future transatlantic study. . . . Meer's fine work augurs, I hope, the promising beginning of a transformation of how we read and teach the nineteenth century.

—Victorian Studies

Unique insights . . . Reflect[s] the richness of new pathways in a hemispheric American studies, moving outward to explore philosophies of race and histories of racial identity that traveled back and forth between colonial and imperial worlds . . . Reveal[s] the impact of cultural studies as a synthesizing force, traveling across multiple geographies of color in the late twentieth century and into multiple fields of intellectual production in this century.

—American Literature

This persuasively argued, carefully researched work offers a comprehensive account of the Anglo-American Uncle Tom phenomenon at its peak in the 1850s. . . . Not only does [Meer] manage to unearth rich nuggets of Tom mania from a thoroughly mined vein, but, more impressively, she offers fresh critical appraisals of this valuable cultural ore. . . . Perfectly positioned to analyze the transatlantic aspects of Stowe's celebrity and the Tom phenomenon, Meer . . . makes a profound contribution to Stowe studies with careful readings of Stowe's English tour and the controversy over the British antislavery Stafford House Address . . . Uncle Tom Mania is tremendously readable and therefore ideally suited for the undergraduate classroom and even, perhaps, ambitious nonacademic reading groups.

—New England Quarterly

In this impeccably researched, absorbing book, Sarah Meer impressively turns her critical lens on the waves made by Harriet Beecher Stowe's Uncle Tom’s Cabin as it crossed the Atlantic Ocean.

—Legacy

Sarah Meer's study of 'Uncle Tom mania' makes a significant contribution to a growing body of work on Harriet Beecher Stowe, sentimental fiction, and nineteenth-century popular culture . . . Meer's nuanced study thus unfolds the dazzlingly complex dialogues between minstrelsy, Uncle Tom's Cabin, and transatlantic politics, culture, and literature. Exceptional in its breadth and depth, in its attention to literary conventions as well as cultural history, it is a rewarding example of transatlantic scholarship at its best.

—Register of Kentucky Historical Society