"With thick paragraphs on every page, each chapter is its own academic essay, with enough content to be stretched into a full collegiate course. This makes for dense reading but also opens many avenues of film and literature to explore as well. It's a hefty book yet rich with insight into Capote's literary and cinematic achievements."
"Pugh's latest is the piece of film history that you didn't even know that your library was missing. It's a fascinating look at the effect of Truman Capote's literature (In Cold Blood) and scriptwriting on film, sprinkled with allusions to his increasing cheekiness in regards to movies of his time (1924–84). . . . This book is not for those seeking a quick read or a photo-filled tome, but for a fresh perspective on the meeting of literature and film, look no further. . . . A must for anyone interested in seeing the connections between film adaptations and quintessential Capote literature."
“This book expertly explains how film studies, film history, and queer theory all converge in the charismatic Capote. A must for anyone interested in seeing the connections between film adaptations and quintessential Capote literature.”
——Jennifer Thompson, The Library Journal
"Pugh does an admirable job of writing about Capote’s relationship with Hollywood and movies without getting caught up in celebrity stories concerning this opinionated author. Well written and thoroughly researched, Truman Capote will be a worthy addition to literature and/or theater collections in academic and large public libraries."
—Kathy Campbell, Tennessee Libraries
Truman Capote once remarked, “My primary thing is that I’m a prose writer. I don’t think film is the greatest living thing”; nonetheless, his legacy is in many ways defined by his complex relationship with cinema, Hollywood, and celebrity itself. In Truman Capote: A Literary Life at the Movies, Tison Pugh explores the author and his literature through a cinematic lens, skillfully weaving the most relevant elements of Capote’s biography— including his highly flamboyant public persona and his friendships and feuds with notable stars—with insightful critical analysis of the films, screenplays, and adaptations of his works that composed his fraught relationship with the Hollywood machine.
Capote’s masterful short stories and novels ensure his status as an iconic author of the twentieth century, and his screenplays, including Beat the Devil, Indiscretion of an American Wife, and The Innocents, allowed him to collaborate with such Hollywood heavyweights as Humphrey Bogart, John Huston, and David O. Selznick. Throughout his professional life he circulated freely in a celebrity milieu populated by such notables as Marlon Brando, Elizabeth Taylor, and Marilyn Monroe. Cinematic adaptations of his literature, most notably Breakfast at Tiffany’s and In Cold Blood, play with or otherwise alter Capote’s queer literary themes, often bleaching his daring treatment of homosexuality in favor of heterosexual romance.
Truman Capote: A Literary Life at the Movies reveals Capote’s literary works to be not merely coincident to film but integral to their mutual creation, paying keen attention to the ways in which Capote’s identity as a gay southerner influenced his and others’ perceptions of his literature and its adaptations. Pugh’s research illuminates Capote’s personal and professional successes and disappointments in the film industry, helping to create a more nuanced portrait of the author and bringing fresh details to light.
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