“Reading for the Body is a landmark study of Southern literature, a magnificent work of scholarship written with crystal clarity. Theoretically sophisticated and historically grounded, Watson’s book repeatedly leads us to new insights, new illuminations. A remarkable achievement.”
—Robert H. Brinkmeyer Jr., author of The Fourth Ghost: White Southern Writers and European Fascism, 1930–1950
"[Reading for the Body] is certainly one of the most important books in Southern studies to appear in recent years. . . . Watson is a beautiful writer who has the uncanny ability to make the most difficult arguments surprisingly straightforward."
"This work provides a powerful argument for using the body and as a methodological point of departure for southern studies. . . . Highly recommended."
—C. R. Bloss, Choice
“Reading for the Body interrogates somatic reifications of [the U.S. South’s] paradigms and uncovers subjectivities struggling to understand the world through their corporeal existence. . . .Given how unavoidable bodies are in the current election year’s discourses about war, voter identification laws, women’s reproductive rights, and marriage equality, Watson’s study is quite timely and important.”
—Jordan J. Dominy, H-Net Reviews
“Reading for the Body is a stimulating approach to southern literature that is well worth pursuing. Watson is provocative in his call for southern studies to avoid ‘over-intellectualization and over-idealization’ by focusing instead on how the somatic experience of fictional southern bodies is portrayed in order to engage and explore this promising hermeneutic.”
—Lucas Carpenter, The Journal of Southern History
“Through use of a case series approach, [Watson] illustrates the value of reading for the body as a literary strategy and as a potential window into understanding 20th century regional and national challenges. . . . [H]e has created a work that listens to and for the stories that those bodies tell in diverse and surprising ways. . . . Watson’s work represents a unique contribution and is highly recommended.”
—Martha Earl, Tennessee Libraries
“As a set of discrete, nuanced, and eloquent readings of southern bodies. . . Reading for the Body is among the finest in contemporary southern literary studies.”
—Gary Richards, The Journal of Southern Religion
Jay Watson argues that southern literary studies has been overidealized and dominated by intellectual history for too long. In Reading for the Body, he calls for the field to be rematerialized and grounded in an awareness of the human body as the site where ideas, including ideas about the U.S. South itself, ultimately happen.
Employing theoretical approaches to the body developed by thinkers such as Karl Marx, Colette Guillaumin, Elaine Scarry, and Friedrich Kittler, Watson also draws on histories of bodily representation to mine a century of southern fiction for its insights into problems that have preoccupied the region and nation alike: slavery, Jim Crow, and white supremacy; the marginalization of women; the impact of modernization; the issue of cultural authority and leadership; and the legacy of the Vietnam War. He focuses on the specific bodily attributes of hand, voice, and blood and the deeply embodied experiences of pain, illness, pregnancy, and war to offer new readings of a distinguished group of literary artists who turned their attention to the South: Mark Twain, Jean Toomer, Zora Neale Hurston, William Faulkner, Richard Wright, Katherine Anne Porter, Bobbie Ann Mason, and Walker Percy.
In producing an intensely embodied U.S. literature these writers, Watson argues, were by turns extending and interrogating a centuries-old tradition in U.S. print culture, in which the recalcitrant materiality of the body serves as a trope for the regional alterity of the South. Reading for the Body makes a powerful case for the body as an important methodological resource for a new southern studies.
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