Reviews
"This book contains much important information and benefits from good and ample scholarship. It is the most thorough and detailed account of the history of the Sacred Harp and its cultural significance available."
—Steven F. Darsey
"A well researched, historically-oriented survey of one element of a larger shape-note singing tradition . . . It will appeal to those already interested in shape-note singing traditions and their revival and to those seeking a more contextual approach to the Sacred Harp's history."
"Bealle delves very deeply and intricately into the history of sacred singing in America. . . . Bealle’s book contains some historical gems."
—Midwest Book Review
Description
With this tunebook as his focus, John Bealle surveys definitive moments in American musical history, from the lively singing schools of the New England Puritans to the dramatic theological crises that split New England Congregationalism, from the rise of the genteel urban mainstream in frontier Cincinnati to the bold "New South" movement that sought to transform the southern economy, from the nostalgic culture-writing era of the Great Depression to the post-World War II folksong revival.
Although Bealle finds that much has changed in the last century, the custodians of the tradition of Sacred Harp singing have kept it alive and accessible in an increasingly diverse cultural marketplace. Public Worship, Private Faith is a thorough and readable analysis of the historical, social, musical, theological, and textual factors that have contributed to the endurance of Sacred Harp singing. Although Bealle finds that much has changed in the last century, the custodians of the tradition of Sacred Harp singing have kept it alive and accessible in an increasingly diverse cultural marketplace. Public Worship, Private Faith is a thorough and readable analysis of the historical, social, musical, theological, and textual factors that have contributed to the endurance of Sacred Harp singing.
