Mary Turner and the Memory of Lynching

Julie Buckner Armstrong

The first study of a lynching that galvanized activists and artists

Reviews

"[Armstrong's] research and writing bring a horrific chapter of American history into the light."
—St. Peterburg Times

"Mary Turner's story needs to be told, and it needs to be told in this way. In her gripping account of how one lynching has moved through cultural memory, Julie Armstrong reminds us why we must never be silent in the face of injustice. This is a groundbreaking book, one that should be read by anyone interested in the power of art, and scholarship, to change the way we talk about race in America."
—Christopher Metress, editor of The Lynching of Emmett Till: A Documentary Narrative


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Description

Mary Turner and the Memory of Lynching traces the reaction of activists, artists, writers, and local residents to the brutal lynching of a pregnant woman near Valdosta, Georgia. In 1918, the murder of a white farmer led to a week of mob violence that claimed the lives of at least eleven African Americans, including Hayes Turner. When his wife Mary vowed to press charges against the killers, she too fell victim to the mob.

Mary’s lynching was particularly brutal and involved the grisly death of her eight-month-old fetus. It led to both an entrenched local silence and a widespread national response in newspaper and magazine accounts, visual art, film, literature, and public memorials. Turner’s story became a centerpiece of the Anti-Lynching Crusaders campaign for the 1922 Dyer Bill, which sought to make lynching a federal crime. Julie Buckner Armstrong explores the complex and contradictory ways this horrific event was remembered in works such as Walter White’s report in the NAACP’s newspaper the Crisis, the “Kabnis” section of Jean Toomer’s Cane, Angelina Weld Grimké’s short story “Goldie,” and Meta Fuller’s sculpture Mary Turner: A Silent Protest against Mob Violence.

Like those of Emmett Till and Leo Frank, Turner’s story continues to resonate on multiple levels. Armstrong’s work provides insight into the different roles black women played in the history of lynching: as victims, as loved ones left behind, and as those who fought back. The crime continues to defy conventional forms of representation, illustrating what can, and cannot, be said about lynching and revealing the difficulty and necessity of confronting this nation’s legacy of racial violence.

Page count: 264 pp.
11 b&w photos, 2 maps
Trim size: 6 x 9

 

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Julie Buckner Armstrong is an associate professor of English at the University of South Florida St. Petersburg. She is coeditor of Teaching the American Civil Rights Movement: Freedom’s Bittersweet Song and editor of The Civil Rights Reader: American Literature from Jim Crow to Reconciliation (Georgia).