"Nowhere else can you find the so brilliantly explained connections between evolution, art history, sense of place, landscape appreciation, wilderness, hunting/gathering societies, tourism, and environmental degradation."
Departing from the traditional study of land use as a history of technology, this book explores the emergence of modern attitudes in literature, art, and architecture—their evolutionary past and their taproot in European and Mediterranean cultures. With humor and wit, Shepard considers the influence of Christianity on ideas of nature, the absence of an ethic of nature in modern philosophy, and the obsessive themes of dominance and control as elements of the modern mind. In his discussions of the exploration of the American West, the establishment of the first national parks, and the reactions of pioneers to their totally new habitat, he identifies the transport of traditional imagery into new places as a sort of cultural baggage.
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