“A Lillian Smith Reader offers the first comprehensive compilation of Smith’s large and diverse body of writing, including excerpts from her fiction along with selections that cover the full range of her gifts as a creative writer of nonfiction and social commentary. . . . This is a needed resource.”
—Will Brantley, editor of the fiftieth-anniversary edition of Lillian Smith’s Now Is the Time
"Gladney and Hodgens have here lovingly edited and selected works long out of print, including fiction, autobiographical essays, reviews, and criticism, with the intention of reminding readers of the importance of Smith's commentary. The resulting anthology offers insight into the namesake of the Lillian Smith Book Award. This book will interest readers of Southern literature and those who are curious about issues of social justice."
As a writer and forward-thinking social critic, Lillian Smith (1897–1966) was an astute chronicler of the twentieth-century American South and an early proponent of the civil rights movement. From her home on Old Screamer Mountain overlooking Clayton, Georgia, Smith wrote and spoke openly against racism, segregation, and Jim Crow laws long before the 1950s civil rights era.
Bringing together short stories, lectures, essays, op-ed pieces, interviews, and excerpts from her longer fiction and nonfiction, A Lillian Smith Reader offers the first comprehensive collection of her work and a compelling introduction to one of the South’s most important writers.
A conservatory-trained music teacher who left the profession to assume charge of her family’s girls’ camp in Rabun County, Georgia, Smith began her literary career writing for a journal that she coedited with her lifelong companion, Paula Snelling, successively titled Pseudopodia (1936), the North Georgia Review (1937–41), and South Today (1942–45). Known today for her controversial, best-selling novel, Strange Fruit (1944); her collection of autobiographical essays, Killers of the Dream (1949); and her lyrical documentary, Now Is the Time (1955), Smith was acclaimed and derided in equal measure as a southern white liberal who critiqued her culture’s economic, political, and religious institutions as dehumanizing for all: white and black, male and female, rich and poor. She was also a frequent and eloquent contributor to periodicals such as the Saturday Review, LIFE, the New Republic, the Nation, and the New York Times.
The influence of Smith’s oeuvre extends far beyond these publications. Her legacy rests on her sense of social justice, her articulation of racial and social inequities, and her challenges to the status quo. In their totality, her works propose a vision of justice and human understanding that we have yet to achieve.
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