“Latining America urges us to consider how easily we consent to the proper homes for people and ideas: in our academic disciplines; as national subjects utilizing ethnic and racial designations; in our narration of migrations, origins, and symbols; in the lines along which we ‘naturally’ organize for our various struggles; in the way the publishing industry interpellates us as writers and readers. Milian both respects the integrity of these received categories and urges us to rethink them. ”
—Faith Smith, editor of Sex and the Citizen: Interrogating the Caribbean
With Latining America, Claudia Milian proposes that the economies of blackness, brownness, and dark brownness summon a new grammar for Latino/a studies that she names “Latinities.” Milian’s innovative study argues that this ensnared economy of meaning startles the typical reading practices deployed for brown Latino/a embodiment.
Latining America keeps company with and challenges existent models of Latinidad, demanding a distinct paradigm that puts into question what is understood as Latino and Latina today. Milian conceptually considers how underexplored “Latin” participants––the southern, the black, the dark brown, the Central American—have ushered in a new world of “Latined” signification from the 1920s to the present.
Examining not who but what constitutes the Latino and Latina, Milian’s new critical Latinities disentangle the brown logic that marks “Latino/a” subjects. She expands on and deepens insights in transamerican discourses, narratives of passing, popular culture, and contemporary art. This daring and original project uncovers previously ignored and unremarked upon cultural connections and global crossings whereby African Americans and Latinos traverse and reconfigure their racialized classifications.
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