"Almost certainly destined to be a 'lion in the path' to all future work on Jack London."
—Lawrence I. Berkove, coeditor of The Short Fiction of Ambrose Bierce: A Comprehensive Edition, Volume I
Why the disparity? For London, racial and class identity were intertwined: his formation as an artist began with the mixed "heritage" of his family. His mother taught him racism, but he learned something different from his African American foster mother, Virginia Prentiss. Childhood poverty, shifting racial allegiances, and a "psychology of want" helped construct the many "houses" of race and identity he imagined. Reesman also examines London's socialism, his study of Darwin and Jung, and the illnesses he suffered in the South Seas.
With new readings of The Call of the Wild, Martin Eden, and many other works, such as the explosive Pacific stories, Reesman reveals that London employed many of the same literary tropes of race used by African American writers of his period: the slave narrative, double-consciousness, the tragic mulatto, and ethnic diaspora. Hawaii seemed to inspire his most memorable visions of a common humanity.
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