Illustrating the Machine That Makes the World
From J. G. Heck's 1851 Pictorial Archive of Nature and Science

Poems by Joshua Poteat


"His first collection, Ornithologies, charted a lyric landscape of birth and memory, which is to say, nostalgia...Illustrating the Machine is a very different journey, into the imagined world of the eponymous text. What makes it so seductive, and so satisfying, is that Poteat—the lyric intelligence behind these haunting, often spectacularly beautiful poems—never quite leaves that earlier world behind."

"A fearless and beautiful use of language, purely original and fiercely rooted in nature and the web the organic world forms with memory, emotion and the deepest part of ourselves — when we let it."
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In this book-length series, poems with titles such as “Illustrating the theory of interference” and “Illustrating the construction of railroads” are paired with nineteenth-century engravings depicting phenomena from geology to astronomy to mechanics. Yet the poems relate to the images in an oblique rather than a direct way. Poteat uses this framework to construct a mysterious and engaging book that inhabits many worlds at once, bridging the real and the imagined, the traditional and the experimental, the surreal and the ordinary. As each diagram and scene gives rise to a poem that intertwines the life of German artist and printer J. G. Heck—imagined, as little is recorded—with Poteat’s own, the book reveals a preoccupation with landscape that encompasses both the precision of Heck’s carefully labeled sine waves and brass devices as well as the eeriness of his depictions of skeletal hands or dogs tearing apart a wounded boar. Poteat’s intense interest in the natural world is set against a sense of a world behind the world, where each living thing is properly named and the Spirit glows purposefully above the forest, ready to heal if asked in the correct manner. Tonight there is no wind. Even the heat is on its knees, and the moths laying eggs on the side door are not being honest with themselves. Though their enterprise is beauty, the eggs will not last through the rains, and so it goes. A slug, fresh as cinnamon, steps through the snuffed coals of my stove. (from “Illustrating how to catch and manufacture ghosts”)
The VQR Poetry Series

Trim size: 5.5 x 8.5


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Joshua Poteat’s first book, Ornithologies, won the 2004 Anhinga Poetry Prize, and his chapbook, Meditations, won the Poetry Society of America’s 2004 National Chapbook Award. He has received awards from American Literary Review, Columbia: A Journal of Literature and the Arts, Nebraska Review, and River City.