LITERARY CRITICISM / Women Authors
Advancing Sisterhood?
Interracial Friendships in Contemporary Southern Fiction
The Aesthetics of Power
The Poetry of Adrienne Rich
The Ambivalent Art of Katherine Anne Porter
Can't I Love What I Criticize?
The Masculine and Morrison
Challenging Boundaries
Gender and Periodization
Daughter of the Swan
Love and Knowledge in Eudora Welty's Fiction
Daughters of Time
Creating Woman's Voice in Southern Story
Emily Bronte and Beethoven
Romantic Equilibrium in Fiction and Music
Flannery O'Connor
New Perspectives
Flannery O'Connor
The Obedient Imagination
Flannery O'Connor
The Imagination of Extremity
Good Observers of Nature
American Women and the Scientific Study of the Natural World, 1820–1885
Jane Austen and Mozart
Classical Equilibrium in Fiction and Music
Lady Mary Wortley Montagu and the Eighteenth-Century Familiar Letter
Patterned Aimlessness
Iris Murdoch's Novels of the 1970s and 1980s
Risen Sons
Flannery O'Connor's Vision of History
Romancing the Vote
Feminist Activism in American Fiction, 1870–1920
Sacred Groves and Ravaged Gardens
The Fiction of Eudora Welty, Carson McCullers, and Flannery O'Connor
A Southern Weave of Women
Fiction of the Contemporary South
Speaking the Other Self
American Women Writers
Subjects of Slavery, Agents of Change
Women and Power in Gothic Novels and Slave Narratives, 1790–1865
Susan Fenimore Cooper
New Essays on Rural Hours and Other Works
Transforming Scriptures
African American Women Writers and the Bible
Trumpeting a Fiery Sound
History and Folklore in Margaret Walker’s Jubilee