"I was moved when I saw Judy Chicago's The Dinner Party at the Cyclorama in Boston in 1980, and I was moved by Jane Gerhard's powerful cultural history of this iconic piece of feminist art and its creator. Gerhard broadens our understanding of that changing chameleon we call feminism, demonstrating how feminist ideas seep into popular culture and connect with a much broader swath of the population than would ever call themselves feminists. In an era of museums mounting crowd-pleasing blockbusters, Judy Chicago did it first."
—Susan Ware, general editor, American National Biography
"This is a beautifully written account of Judy Chicago's iconic art installation The Dinner Party from its roots in early 1970s feminism and Womanhouse to its reception among the establishment art world and general public to its continuing ability to generate enthusiasm, life-changing perspectives, anger, and debate. With her nuanced and very engaging study, Jane Gerhard has added tremendously to our understanding of the complexities and power of popular feminism."
"Gerhard provides a provocative new analysis of this [Judy Chicago's The Dinner Party] by drawing from the art historical sources, consulting a wealth of recently available archival materials, and conducting interviews with key players in the production and marketing of Chicago's work."
“Jane Gerhard’s new book, The Dinner Party, is an important, overdue contribution to the history of feminism. . . .Using art and popular culture as her primary documents, she examines the history of 1970s feminism and the ways ordinary women have encountered and embraced feminism thought outside of activism.”
—Elissa Auther, Women’s Review of Books
"Clearly written, incredibly well researched, and balanced in its analysis, Jane Gerhard's retelling of the genesis of what is arguably the single most important work of feminist art and culture since its production provides readers with a detailed glimpse inside the coming to, and coming after of, Judy Chicago's, The Dinner Party."
—Jenna Danchuk, Journal of American Culture
Judy Chicago's monumental art installation The Dinner Party was an immediate sensation when it debuted in 1979, and today it is considered the most popular work of art to emerge from the second-wave feminist movement. Jane F. Gerhard examines the piece's popularity to understand how ideas about feminism migrated from activist and intellectual circles into the American mainstream in the last three decades of the twentieth century.
More than most social movements, feminism was transmitted and understood through culture—art installations, Ms. Magazine, All in the Family, and thousands of other cultural artifacts. But the phenomenon of cultural feminism came under extraordinary criticism in the late 1970s and 1980s Gerhard analyzes these divisions over whether cultural feminism was sufficiently activist in light of the shifting line separating liberalism from radicalism in post-1970s America. She concludes with a chapter on the 1990s, when The Dinner Party emerged as a target in political struggles over public funding for the arts, even as academic feminists denounced the piece for its alleged essentialism.
The path that The Dinner Party traveled—from inception (1973) to completion (1979) to tour (1979-1989) to the permanent collection of the Brooklyn Museum (2007)—sheds light on the history of American feminism since 1970 and on the ways popular feminism in particular can illuminate important trends and transformations in the broader culture.
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