"A divine poetic intelligence cascades a tumult of images and metaphors as Agosín sweeps us away to far-off places—Krakow, Cairo, her beloved Chile. Intertwined with memories, bending time to serve her unhurried recall of exile, she evokes the fragrances of 'cemeteries wrapped in mist,' and her cartography charts the secrets that lie at the heart of all cities. Mystical, mysterious, and at the same time steeped in sensual detail, Cartographies takes us also on a journey that illumines and expands unexpected spaces in our minds."
—Bapsi Sidhwa, author of Cracking India
"One does not read as much as dreamily float through Marjorie Agosín's Cartographies, her tales of grand and shy cities, lovelorn landscapes. The world, in its many guises, is revealed inside out by the surprise and surety of her beautiful, fluid prose."
"Prague and Vienna, Budapest, Croatia, Rhodes, Istanbul, Jerusalem, Cairo, Rome, Assisi, Ireland, London, Amsterdam-these are just some of the places that the author provides glimpses of in her poetic descriptions. She has written a travel book that can also be enjoyed as short, isolated reflections in which individual scenes reverberate like private prayer."
—Allen Weakland, Booklist
"With lyrical prose and deep passion, writer and poet Agosín maps out her past and the places that have given her life meaning. . . . Although the Holocaust looms large, Agosin’s palpable love of humanity and unique prose style keep this work uplifting."
"The Chilean-born writer, poet, and human rights activist dreams 'the dream of exiles' in moving explorations of displacement and the longing for home."
"Throughout her writings, Agosín concentrates on the strength and creativity of women worldwide while revealing her own preoccupation with past oppression."
"Reading Agosín’s words takes you on an extraordinary voyage, hearing ‘the murmur of the road’ and feeling that her words are heavy, sensual messages of beauty."
Agosín's journey begins in Chile, where she spent her childhood before her family left in the early days of the Pinochet dictatorship. Of Santiago Agosín writes, "Day and night I think about my city. I dream the dream of all exiles." Agosín also travels to Prague and Vienna, ancestral homes of her grandparents, and to Valparaíso in Chile, which received them as immigrants. Kneeling among the yellow mounds at the Terezin concentration camp, where twenty-two of her relatives died, Agosín places "small stones, shrubs, the stuff of life on graves I did not recognize."
And then on through the Middle East, the Mediterranean, Europe, and the Americas . . . Everywhere, she is drawn to women in whose devotion and creativity she sees a deep vein of hope--from Julia, keeper of the synagogue at Rhodes, to the women potters in the Chilean town of Pomaire.
Agosín writes of diaspora, exile, and oppression, yet only to highlight the dignity and valor of those who find refuge in their humanity and their art, in community and tradition. Cartographies shows us what can be found when we journey with openness, as approachable to strangers as we are to ourselves.
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