"Intermingling an erudite but folksy persona with a metrics that suggests 17th-century England, McMorris sifts and often lush, deceptively whole Caribbean landscape for the traces of a harsh English colonial past. . . . From all of these poems emerges a poetic voice that is at once deeply engaged in with an English poetic tradition, but not afraid to, through the tactics of postmodernism, to trouble the terms of its extended contract."
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