"This is a labor of love and genuine critical insight. It is cogently argued, well-written, unpretentious, and most helpful to the reader of Baudelaire's prose poems."
—Victor Brombert, Princeton University
"In Baudelaire's Prose Poems, Edward Kaplan offers a cohesive, thoughtful and highly original interpretation of Charles Baudelaire's The Parisian Prowler. Professor Kaplan highlights the poet's previously neglected cohesion of thought, compassion, hope and humanity, which do not take anything away from Baudelaire's much-discussed poetic and philosophical contradictions, cynicism, aesthetic idealism and irony. Kaplan persuades us that it's only by understanding how the ethical and religious dimensions of Baudelaire's prose poems fit in with the poet's more subversive aesthetic vision articulated in The Flowers of Evil that we achieve a fuller appreciation of the poet's rich and innovative modernism."
“Kaplan's book as it stands, is a gold mine of challenging interpretations and wisdom. It is an affirmation of Baudelaire's commitment to literature and evidence of the poet's presence in the existential dimension of the text.”
“Having a keen appreciation for the poet's style, message and philosophical outlook, Kaplan has masterfully translated these poems himself (and this translation is also available in paperback). If his book of critical essays on Baudelaire’s prose poems deserves to be looked at with fresh eyes now, twenty years after its initial publication, it's partly because it stands the test or time . . . Professor Kaplan's book has received much critical praise in scholarly journals when it was initially published. Yet, I believe, its value will be even better appreciated, in the intellectual and literary environment we enjoy today.”
Kaplan defines three dimensions of experience that inform The Parisian Prowler from beginning to end: the esthetic includes art, ideal beauty, and especially the intense immediacy of sensations, fantasy, and dream; the ethical includes principles of right and wrong, relations between intimates or between individuals and the community; and the religious--not to be confused with church or dogma--points to the province of ultimate reality, whether it be God or an absolute standard of truth, justice, and meaning. These dimensions are explored by a narrator, a complex, highly self-conscious writer whose passion for pure Beauty continually frustrates his yearning for affection. He begins his tour through 1850s Paris alienated from reality, becomes aggravated by conflicts between his "ethical" and "esthetic" drives--to the point of despair--and ends by expressing loyal friendship. Analyzing the fables in relation to one another in pairs or groups, Kaplan demonstrates how later pieces intermingle or even confuse the narrator's esthetic and ethical drives, and how the most advanced "theoretical fables"--through ironic puns on their form--further undermine this simplistic dualism.
Baudelaire's fables of modern life radically challenge us to examine our presuppositions, Kaplan argues. Though rarely didactic, the narrator's Socratic irony engages readers in a volatile dialogue, provoking them to form their own judgments. He often betrays self-destructive anger, rebelling against injustice or stupidity--or against women who might love him. At times he insults our complacency and self-deception with vicious glee; at other times, he recognizes his own frailty, nurturing a sense of fellowship with the oppressed. Seeking both to analyze experience objectively and to sympathize with isolated individuals like himself, Baudelaire's narrator joins criticism and poetry in a voyage of self-discovery, finally accepting experience as impure and mixed.
Kaplan contends that the "prose poems" constitute a genre parallel to the poems Baudelaire added to the 1861 edition of Les Fleurs du Mal, both of which illustrate fundamental principles of the theory of modernity he developed in his essays on art. The self-reflective fables in The Parisian ProwlerM/i>--depicting a way of thinking beyond ideologies--clarify Baudelaire's development as poet, critic, and thinker.
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