"Ball's well-written book makes a good case for the impact of individual lives 'lived well' on the elimination of slavery and racism. It should have broad appeal among audiences interested in nineteenth-century African American history and cultural studies."
—Julie Winch, author of The Clamorgans: One Family's History of Race in America
"[Historian] Erica L. Ball, associate professor of American studies, aims to do nothing less than prompt a rethinking of the relationship between the personal and the political among the northern black middle class in the years before the Civil War."
"This thoughtful, eloquent [To Live an Antislavery Life] shows how 'elite and aspiring' African Americans vested their everyday conduct and values with radical potential. . . . its compactness and clarity make it an attractive option for classroom use, and Ball displays an impressive analytical range within five concise chapters. . . . Most significantly, scholars of nineteenth-century class formation and African American history will profit from Ball's incisive work at the intersection of those two rich fields."
—Margot Minardi, New England Quarterly
"[Ball] delivers an insightful explication of what motivated the antebellum black middle class... Erica Ball has produced a strong, innovative, and valuable contribution to the historiography of black activism and the black middle class."
—Scott Hancock, Journal of the Early Republic
"Emphasizing the fusion of the political with the personal, Ball usefully and persuasively shifts our perspectives on the character and purposes of antebellum African American writing... In sum, this attractively produced [To Live an Antislavery Life] makes a valuable contribution to the study of antebellum American history."
—Dickson D. Bruce, Jr., American Historical Review
"There is so much about [To Live an Antislavery Life] to recommend it. Historians of antislavery, class formation, culture, and politics will appreciate Ball's nuanced, sensitive and inventive readings of canonical African American texts, especially slave narratives."
—Hilary Moss, Journal of American History
"In this gem of a book, Erica L. Ball challenges scholars of antebellum northern black activism to think more deeply about the language of respectability so prominent in activists' discourse from the 1830s to the Civil War. . . . Ball not only provides a more complicated understanding of the politics of respectability in northern black middle-class discourse but also asserts that the foundation for their values was based in Christian republicanism."
—Rita Roberts, Journal of Southern History
"Ball has completed a thoroughly researched and well-written narrative that studies the emergence of the Northern black middle class. . . . [H]er study is a building block for scholars."
—Sharon A. Roger Hepburn, The Historian
In this study of antebellum African American print culture in transnational perspective, Erica L. Ball explores the relationship between antislavery discourse and the emergence of the northern black middle class.
Through innovative readings of slave narratives, sermons, fiction, convention proceedings, and the advice literature printed in forums like Freedom’s Journal, the North Star, and the Anglo-African Magazine, Ball demonstrates that black figures such as Susan Paul, Frederick Douglass, and Martin Delany consistently urged readers to internalize their political principles and to interpret all their personal ambitions, private familial roles, and domestic responsibilities in light of the freedom struggle. Ultimately, they were admonished to embody the abolitionist agenda by living what the fugitive Samuel Ringgold Ward called an “antislavery life.”
Far more than calls for northern free blacks to engage in what scholars call “the politics of respectability,” African American writers characterized true antislavery living as an oppositional stance rife with radical possibilities, a deeply personal politics that required free blacks to transform themselves into model husbands and wives, mothers and fathers, self-made men, and transnational freedom fighters in the mold of revolutionary figures from Haiti to Hungary. In the process, Ball argues, antebellum black writers crafted a set of ideals—simultaneously respectable and subversive—for their elite and aspiring African American readers to embrace in the decades before the Civil War.
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