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Tales from the Easel American Narrative Paintings from Southeastern Museums, circa 1800-1950 Thomas Hart Benton, Winslow Homer, Andrew Wyeth, and Jacob Lawrence are just some of the household names whose work appears in Tales from the Easel. Others, like Elihu Vedder and Lilly Martin Spencer, are less well known, but still vital to the development of narrative painting. While some of the artists, including George Caleb Bingham and Paul Cadmus, were classically trained, self-taught painters such as Carlos "Shiney" Moon and Thomas Waterman Wood are also represented. American rivers, cities, and battlefields are among the native surroundings shown in many of the paintings. However, artists also looked elsewhere for settings—to Europe, the Holy Land, or even some imagined realm. Charles C. Eldredge's essay discusses the rich and varied sources of American narrative painting—from literature and history to childhood and domestic life—and an essay by William Underwood Eiland provides a discussion of the southern tale-telling tradition. Artist biographies by Reed Anderson and Stephanie J. Fox appear opposite the paintings, adding further context. Tales from the Easel, a companion volume to the national touring exhibit of the same name is a stunning reminder of a tradition in American painting that has endured across two centuries and numerous art movements. Charles C. Eldredge is Hall Distinguished Professor of American Art and Culture at the University of Kansas. He is a former director of the National Museum of Art, Smithsonian Institution. Eldredge's books include Georgia O'Keeffe and Art in New Mexico, 1900-1945. February 2004 ISBN 0820325694 paper • $29.95 224 pp. • 8 1/2 x 11 in. • 70 color, 37 b&w photos |
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